Jul 15 2010
Streaming Seven Samurai – 3 Disc Remastered Edition Online
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Streaming Seven Samurai – 3 Disc Remastered Edition Online.
Movie Title: Seven Samurai – 3 Disc Remastered Edition Seven Samurai – 3 Disc Remastered Edition is available for streaming or downloading. Click Here to Stream or Download Seven Samurai – 3 Disc Remastered Edition |
As a gigantic fan of older films and music, I am very aware of the many attempts of studios and represent companies to reissue and re-market a previously released product in a recent and improved format. While many of these reissues are often grand to their previously released counterparts, I have never been one to hold into the “upgrades”. I feel that you don’t need to have the best sound, the crispest describe, or the excess of supplemental materials in order to delight in a film and have it affect you. In all my years collecting music CD’s (particularly jazz) and DVDs, I deem I’ve upgraded no more than three items from my collections.
Buy,Download, Or Stream Seven Samurai – 3 Disc Remastered Edition! Click Here
I had been hearing for a while now about a recent version of Seven Samurai coming out on Criterion that was supposed to have a ticket current transfer from a recently discovered source that was to be greatly improved from any other previous edition. Being one of the most beloved films of all time (and one of mine as well), this has been creating alot of excitement in the world of film lovers. Being perfectly tickled with my version of the Seven Samurai DVD from 1998, I had no plans to upgrade, but a side by side comparison on an internet space peaked my curiosity. And yesterday, being at a local retailer, I saw it on the shelf and decided to spring for it.
Let me yelp you….if ANY of you are on the fence about this one, particularly those of you who are stout fans of this fantastic film, I jabber you to go for it. The incompatibility between this edition and the previous edition is so drastic that I could not contain my eyes and ears. I have never had this experience with a DVD before, but the improvements in narrate and sound quality are SO enormous that I actually felt like I was watching Seven Samurai for the first time. The clarity of the report is absolutely wonderful. The exquisite gloomy and white tones are distinguished richer, but what’s most impressive is how nearly all the imperfections, scratches, and blemishes that were so prevalent on the previous edition have been removed. You can assert why this edition took so long to collect released….Criterion obviously took alot of time with this one. Their efforts paid off. Also, the sound has been greatly improved as well. Not only have they cleaned up the novel mono soundtrack, but they’ve added a stereo surround track as well. Normally, I cringe at these “original and improved” soundtracks on musty films, but this track does not sound artificial at all, but rather more like an enhanced version of the mono track. The stereo surround track together with the pretty recent characterize made for a recent experience watching the film. You are calm watching the mountainous Kurosawa classic that you know and appreciate, but at the same time it seems that even more life has been breathed into it. Didn’t judge that was possible for such a perfect film, but Criterion proved any doubter atrocious.
Buy,Download, Or Stream Seven Samurai – 3 Disc Remastered Edition! Click Here
Please withhold in mind that I haven’t even gotten to the bonus materials, the commentary tracks, nor the very beautiful book yet. And there isn’t considerable more that I can say about this astounding film that hasn’t already been said. Honest based on the presentation of the film itself in this unique package from Criterion, I would highly recommend to everybody who loves this film and is thinking about upgrading their version of the film, that you do so. Its ravishing. And remember, this is coming from someone who doesn’t generaly care for “upgrades”.
Akira Kurosawa made “Seven Samurai” because he wanted to build a precise “jidai-geki,” a proper period-film that would point to the past as meaningful, while also being an spirited film. Kurosawa considered “Rashomon,” the film rightfully credited with making the West aware of the Japanese cinema, with being neither. But in his attempt to develop a truly “realistic” film, Kurosawa redefined the conflict at the heart of Japanese films. Before “Seven Samurai” this conflict was that of adore versus duty, where the central character is compelled by fate to sacrifice what he loves in the name of duty. In “Seven Samurai” the focus remains on duty, yet the conflict is now between the sincere and the pretended. Calling yourself a samurai does not do you one, something proven time and time again in the film, from the test of skill turned deadly between Kyuzo (Seiji Miyaguchi) and the big samurai to the first appearance of Kikuchiyo (Toshirô Mifune), with his stolen pedigree. Like Katshushiro (Ko Kimura), the youngster who wants to learn from the master, Kambei (Takashi Shimura), the audience is educated as to the legal nature of the samurai.
For me this film deals with the valiant, albeit in realistic terms. I have shown the film in World Literature classes, after students have read Homer’s “Iliad” and as they open reading Cervantes’ “Don Quixote.” Within that context, compared to the brutal arrogance of Achilles and the gentle insanity of Quixote, the audacious qualities of the seven samurai become sure. Their inspiration extends to some of the villagers. Manzo (Kamatari Fujiwara) is crazed with awe over the virtue of his daughter, Shino (Keiko Tsushima), and Rikichi (Yoshio Tsuchiya) fights to avenge the disgrace of his wife and his precipitating the death of Heihachi (Minoru Chiaki), but it is the laughable Yohei (Bokuzen Hidari), who finds within himself the ability to fight, a die a tragic death, who is the suitable barometer for what the samurai mean to the village. But the greatest tragedy is that despite this most superior concern and the bodies buried in honor at the top of the village cemetery, this has been but a temporary union between the villagers and the samurai. When Kambei declares, “We have lost again,” he redefines the battles: it was not to demolish all the bandits, it was to glean a good residence in the world. Yet we should have already known this, for the painful truth was driven home when Kyuzo, the master swordsman, is gunned down from slow. No better proof is needed in this film of the bitter truth that the world is not dazzling.
Mifune is the maniacal spirit of this film, as the faux-samurai Kikuchiyo, the dancing whirlwind whose emotions overwhelm everything including himself. But it is Shimura as Kambei, who embodies the mentor mentality with a minimum of anxiety, evoking more by rubbing his hand over his shaved head or giving a single piercing gaze than by any spoken dialogue. Even in a strong ensemble these performances stand out, for clearly different reasons. To fully devour Kurosawa’s mastery in “Seven Samurai” you need to peer the film several times to better indulge in the plot he constructs scenes, using contrasting images, evocative music and varying the length of cuts to affect tempo. For example, behold carefully at how the early scene of the farmers searching the streets for samurai and the later sequence where Katsushiro watches Kyuzo and Kikuchiyo waiting for the bandit scouts to return to their horses. Both of these scenes are proper primers to Kurosawa’s style.
For years we had to establish with the 160-minute version of the film that was made for export, which was actually called “The Glowing Seven” until John Strugis’s Western remake. Fortunately, “Seven Samurai” has been restored to tubby 208-minute glory, saved from being a lamentable cinematic tragedy on a par with “Greed,” “The Heavenly Ambersons,” and “Ivan the Poor.” There is a sense in which “Seven Samurai” is truly my approved film, because it was the one that instilled in me a cherish of cinema, of the craft and art of movie making, of compelling me to understand intellectually how Kurosawa was skillfully manipulating my emotions. The final battle sequences, fought and filmed in a torrent of rain, exhausting characters and audience alike with its increasingly relentless tempo, is given its potency because of the human elements that have been established in all that has taken region before hand. “Seven Samurai” is a heavenly film against which the stout majority of epics pale in comparison. Not even Kurosawa scaled these heights ever again.
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